Paper of The Fortnight

Each fortnight a member of the Sonic Intangibles team select a paper to read and discuss. Our reading list is below:

1. Akkerman, S.F. and Bakker, A., 2011. Boundary crossing and boundary objects. Review of educational research, 81(2), pp.132-169. DOI:10.3102/0034654311404435.

2. S. Pauletto and Y. Seznec (2024). Connecting Sound to Data: Sonification Workshop Methods With Expert and Non-Expert Participants, J. Audio Eng. Soc. Vol. 72, np. 5, pp. 328-340. DOI:10.17743/jaes.2022.0143.

3. Drever, J.L. (2019). Primacy of the Ear” – But Whose Ear?: The case for auraldiversity in sonic arts practice and discourse, Organised Sound, 24(1), pp. 85–95. doi:10.1017/S1355771819000086.

4. Seiça, M., Roque, L., Martins, P. et al. (2023) An interdisciplinary journey towards an aesthetics of sonification experience. J Multimodal User Interfaces 17, 263–284. DOI:10.1007/s12193-023-00416-7

5. Wirfs-Brock, J., Perera, J. and Geere, D., 2024, July. Open sonifications: a manifesto for many ecologies of data and sound. In Proceedings of the 2024 ACM Designing Interactive Systems Conference (pp. 2660-2674). DOI:10.1145/3643834.3660757

6. Supper, A. (2012). Lobbying for the ear : the public fascination with and academic legitimacy of the sonification of scientific data. [Doctoral Thesis, Maastricht University]. Datawyse / Universitaire Pers Maastricht. DOI:10.26481/dis.20120606as pages 92-101 (section 3.3)

7. Archer MO, et al. (2022) Listening to the Magnetosphere: How Best to Make ULF Waves Audible. Front. Astron. Space Sci. 9:877172. DOI:10.3389/fspas.2022.877172